Interview: Bailey Frankenberg of PETER PAN at The Fox Theatre
by Joseph Harrison - Apr 24, 2025
In today’s culture, it is hard to find anyone who doesn’t have some experience with the story of Peter Pan. For many, their first exposure to the “boy who refused to grow up” was through Walt Disney’s classic 1953 animated film. Others first journeyed off to Neverland with Peter and Wendy by reading the original 1904 play by J.M. Barrie. And in between (and beyond) have come many different iterations of this timeless adventure. But for musical theatre fans, there is just one PETER PAN – the classic 1954 stage musical which starred Mary Martin and was captured for posterity through a 1955 NBC broadcast. So how does one take a story with its beautiful score but also some troublesome stereotypes and bring it to an audience in 2025? That is just what Larissa FastHorse and the team bringing PETER PAN to life on the stage at the fabulous Fox Theatre have done – taken a classic and updated it for a new generation. And in the role of Tiger Lily, Bailey Frankenberg has a front row seat to what makes this story so magical. I had the chance to catch up with Bailey and hear all about her career and what it is like to play an iconic (but updated) heroine as well as serve as Fight and Flight captain for the show.
2025 Drama League Awards Nominations- The Full List
by Nicole Rosky - Apr 22, 2025
The Drama League announced the 2025 Drama League Awards Nominees for Outstanding Production of a Play, Outstanding Revival of a Play, Outstanding Production of a Musical, Outstanding Revival of a Musical, Outstanding Direction of a Play, Outstanding Direction of a Musical, and the much-coveted Distinguished Performance Award. We have the full list of nominees here!
Interview: Hannah Shankman of FUNNY GIRL at Ohio Theatre
by Paul Batterson - Mar 3, 2025
The road to success for Hannah Shankman has had plenty of roundabouts. Many a time she thought she was headed one way, and then she seemed to be veering in another, only to return to her original path.
Tim Murray and SLee to Star in SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN Off-Broadway
by Chloe Rabinowitz - Oct 19, 2023
Get ready for a hilarious and wild ride with Tim Murray and SLee in the Off-Broadway comedy, Sex Tips for Straight Women from a Gay Man. Return to Hell's Kitchen's AMT Theater for a limited engagement of this interactive comedy that leaves no topic taboo. Don't miss out on insider tips straight from the source: a gay man.
Review: SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN at Bus Stop Productions
by Stan Jenson - Apr 22, 2023
The brand-new production company, Bus-Stop Productions, invited me to a sneak preview a couple of months ago. I loved the show and especially the performers who had been cast in Hollywood and seemed to outshine many in our local talent pool. The show ran for several very successful months, sometimes selling out two performances per evening. They recently decided to add more performances for the month of May but two of the original performers were not available so the producers reached out to some local actors and my fears arose. My fears were proven wrong in a big, big way!
KINKY BOOTS To End Off-Broadway Run This Month
by A.A. Cristi - Nov 1, 2022
The Tony-winning musical Kinky Boots will play its final off-Broadway performance at 7:00PM on Sunday, November 20, 2022 following 32 previews and 102 regular performances.
Photos: First Look at WHERE THE MOUNTAIN MEETS THE SEA at Manhattan Theatre Club
by Show Highlights - Oct 24, 2022
Manhattan Theatre Club is presenting the New York premiere of Where the Mountain Meets the Sea, written by AUDELCO Award nominee Jeff Augustin (The New Englanders, “The Morning Show”) and directed by Princess Grace Award winner Joshua Kahan Brody, with music by The Bengsons (Hundred Days, The Lucky Ones). Get a first look at photos here!
BWW Review: Brilliant OKLAHOMA! at the Providence Performing Arts Center
by Erica Cataldi-Roberts - Mar 24, 2022
Warning: this is not your traditional version of OKLAHOMA!, and good riddance. Without changing a word of the book or lyrics, director Daniel Fish has created a revival of the 1943 musical that highlights different aspects of the material simply by changing the tone in which scenes are presented. The story has always been one of a community banding together against an outsider, but that aspect of the show is usually buried in favor of the sunnier, romantic elements of the plot. Not so this time. While the show loses some of its oomph by no longer being presented in the round, as it was during its run on Broadway at the Circle in the Square Theatre, there is still plenty to like even when presented in a traditional space like the Providence Performing Arts Center’s.