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Mamma Mia!

(Original London Production, 1999)

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Production Information
Previews:March 23, 1999
Opening:April 06, 1999
Theatres:Prince of Wales Theatre
(5/27/2004 - ?)
Prince Edward Theatre
(3/23/1999 - 5/22/2004)
Production Type:Original Production
Production Status: Running
Run Type:Open Run
Market:West End
Running Time:2 hours and 35 minutes with interval
Intermissions:1
Version:Original London Version
The infectious music of ABBA provides the framework for a romp through the preparations of an unusual wedding.
 
Production Staff
Phyllida Lloyd
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Director
Anthony Van Laast
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Choreographer
 
Original Cast | Current Cast | Replacements
Paul Clarkson
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Nicolas Colicos
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Jenny Galloway
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Melissa Gibson
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Nigel Harman
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Andrew Langtree
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Eliza Lumley
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Tom Magdich
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Siobhán McCarthy
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Hilton McRae
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Louise Plowright
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Lisa Stokke
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Neal Wright
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[Full Cast & Staff]



Featured Show

Sweeney Todd
(27 productions, 3 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

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  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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